I was captured by the introduction to this article which focuses on reading the Torah as the writer intended to write it. Dr.Michael Carasik, Reading the Bible Like a Writer (The Torah.com), here. I have recently posted on guides to interpreting meaning of text--what is more persuasive: the author's meaning or what the audience (contemporary or millenia later) might interpret the words to mean. See James Kugel on the Shema; JAT on Originalism and Textualism (Jack Townsend Blog 7/24/26), here.
One of the examples the author uses to draw the naïve (like me) into the discussion is:
When Beethoven writes a chromatic accidental—adding a note, such as a C♯, to a key that does not include a C♯—it is not enough to point that out analytically. We need to be on the alert to discover the reason we are hearing that note—how it serves to modulate or add tension to the melodic line.
Caveat for those tempted to read the linked discussion, it delves into topics that perhaps a linguist will understand and enjoy. For example, under the heading Joseph and the Shechemite Speak (In)formally, the author says:
When Jacob sends his son Joseph to check on the flocks that Joseph’s brothers are tending at Shechem, a man finds him along the way. The “man” (who is the focus of most of the traditional commentary on this verse)[2] uses an imperfect verb form to ask Joseph מַה תְּבַקֵּשׁ (mah tevakesh)?
בראשׁית לז:טווַיִּמְצָאֵהוּ אִישׁ וְהִנֵּה תֹעֶה בַּשָּׂדֶה וַיִּשְׁאָלֵהוּ הָאִישׁ לֵאמֹר מַה תְּבַקֵּשׁ.
Gen 37:15 A man came upon him wandering in the fields. The man asked him, “What are you looking for (tevakesh)?”